Updated On November 19, 2009
The much awaited Neelathaamara is all set to hit theaters on November 27th 2009. The promo songs is already a huge hit and excitement surrounding the movie continues with hundreds of fans waiting for its release.
For updates on Neelathaamara To be released on the 27 of November
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Its worth the wait.
‘Neelathaamara’ is beyond expectations. A perfect piece of art in all respects. I saw the film on 27th at Ravikrishna theatre in Thrissur.
Hats off to MT sir’s script. The characters are well etched and each character has been depicted so beautifully in the script. Characters like “Altharayile ashan”, the servant in the tharavad “Nani” and the ailing Bhagavathar are exclusive to MT scripts. The “Bhagavathar” does not make any physical appearance in the film but the character truly travels in the mind of the audience back home. The film though winds up at a time when no one expects it to do so.
Sri. Lal Jose has done true justice to the script. Casting is superb. The aged characters of “Kunjimalu” and Thankam are good picks. The songs have been picturised so beautifully. The locations are beautiful.
Sri. Vidyasagar’s music, Sri. Sarath’s Vayalar’s music requires special mention. I love “Pakalonnu….” It’s a good ghazal. The make up by Sri. Sreejith is another attraction. The aged character of Maluamma is looking excellent and looks so real on screen in addition to the other aged characters.
The camera
Archana and Kailash is a boon for the industry. They doesn’t seem to look like new faces. They have been so natural through out the length of the film. Smt. Sridevi Unni is so refined and elegant, a change to the usual mother characters we see on screen. It’s so nice to see a good film with so many new faces in it. A successful daring attempt. Kudos to the production banner and the director. Suresh, Reema and Samvritha have put in their best to the characters.
The titles itself are written in the beginning in a very beautiful manner.
Its altogether a beautiful poem on screen. Congrats to the concerted effort of the wonderful team behind “Neelathaamara”. A special thanks to the banner “Revathy Kalaamandhir”, Sri. Lal Jose and Sri. M.T. Vasudevan Nair.Na.. Na.. the signature tone of romance in the film reminds
me the golden age when malayali began to learn loving.
Nostalgic i’d have termed it if it was not a cliche.
Then why do we stick on to shots such as Haridas reading
Mayyazhippuzha(wished another book in hand) and listening to labelled 70’s hindi songs.Even without these the mood would have not been different altogether. As the narration relies on flashback mode the viewers would have known the one who committed suicide in the temple pond would never be going to be Kuttimalu. Then conventional anticlimax shots travelling over the body and the final revelation would have been replaced by another focusing on a collapsed Kuttimalu onlooking the corpse. But out here everything forgotten and only Na.. Na.. echoes.
